Showing posts with label activist. Show all posts
Showing posts with label activist. Show all posts

Monday, August 9, 2010

Left Unsaid: A Conversation of Mirrored Missions & Global Solidarity

Tigist Selam

Ruby Veridiano


Ladies Lotto truly brings powerful women together. When they asked me to connect with artist/writer/activist Tigist Selam, I thought, well, off the bat, we already have so much in common! Last night, we shared dialogue on art for social change, transcontinental upbringings, global movements, and being kindred spirits. Read on!
– Ruby Veridiano


RUBY: So Tigist, let’s get started! Where are you from?

TIGIST: I am Ethiopian and German and grew up in Nigeria, Argentina, and mainly Germany. I left Germany when I was 16 to study in California.

R: It’s so cool that even though you’re from Germany, and I'm from California, we still manage to have so many things in common! Tell me more about your life as an artist.

T: Well, life as an artist in NYC is challenging, but very rewarding at the same time.
I can't imagine myself doing anything else and living anywhere else. My training started in Buenos Aires, Argentina. I was three when I was first on stage, and then continued classical training in music and dance. Later I did theater.

R: You've been all over the world. Global perspective is so important in someone's development as an artist. How has your upbringing shaped you?

T: Point of view is everything as an artist. Everything I do has been already done.
So, it’s just about doing it my way. Since I had such a diverse upbringing, I can relate to so many different people. You see more commonalities than differences. Yet, on the flip side- no one seems to understand you. Do you know what I am saying?

R: Yes, I’m the same way! I am Filipina Chinese who grew up in a Chinese culture in Manila. I had to learn three languages growing up: English, Tagalog, and my father's Chinese dialect, Fukien. From a young age, I understood international intersections, and always been aware of a global perspective because I've had to migrate back and forth. In America, it's very uncommon to know more than one language. We are blessed!

T: My first language is Amharic (Ethiopian), then Spanish, then German, and lastly, English. I definitely feel like an immigrant and a resident everywhere I go. But in transitional cities such as SF, London, and NYC, we have an opportunity to learn and share from others.

R: We are both writers and activists. What do you write, and whom do you write for?

T: My writings range from everything, from music to memoirs, to...aah, so much! But nowadays I just concentrate on script writings. All of my travels, people I have met, encounters are crystallized in my writing especially.

R: Another thing we have in common is our activism. What movements are you most passionate about?

T: Well, my dad took me voting when I was 11. He always voted for the underdog, and I never understood why he voted for a party that would never win. My mother held many demonstrations against the Ethiopian government. Both of my parents urged me to watch the news everyday for 15 minutes before going to bed. That was the only TV I got during the week. During lunch, we used to discuss things such as immigration law. Then my mother got her own non-profit organization called the 'the ‘Christian unification of Germans and Ethiopians'. I grew up very conscious in every aspect of my life, so it all flows into my own activism.

R: So now that you're older, what causes are you drawn to?

T: My heart lies in the Youth and Education in Ethiopia.My conscious upbringing never left me, it's just natural for me to be an activist, since both of my parents are activists. Once you know there is a lot of suffering in this world, and you have the power to do something about it, you just do it. I think through education we can see things change in the long term. Especially in Africa, since literacy is so low. I truly believe in education. It all starts in the mind.

T: What about your concerns?

R: We have so much in common! I'm passionate about creating women's empowerment movements on an international level. Right now, I work with a global literacy organization called Litworld, and piloted a Girls Club in NYC- we empower girls through their words, through reading and writing. Soon, I hope I can pilot Girls Clubs Philippines. Currently there are Girls Clubs in Kenya, Ghana, Liberia, and NYC. Soon, I hope, there will be one in the Philippines! My vision is to help bridge this international connection together. I believe in global thinking, but local action.

T: That sounds awesome.

R: People don't realize literacy is such an important tool in empowerment- it is also a crucial tool in developing nations. I believe in the kind of impact I can create as one person. Creating change lies in the forefront of my personal missions.

T: Absolutely! Why is this matter so close to your heart?

R: I was the only girl in a poetry group for quite some time. I guess its natural that I became so sympathetic to women :) I was the only one up on the stage representing the woman's voice! Right now, I’m developing a program called The Glamourbaby Diaries, a writing empowerment workshop for young Asian American women. It has an Asian American history focus and a fashion framework- using fashion and pop culture as tools for critical thinking. I am so excited about it!

R: I know that anything in NYC takes a lot of work and commitment. How do you create success? In what ways do you keep inspired?

T: Well, I am not so sure if what I have is success, but I am on my way! I have to make my art a number one priority, and that can cost a lot of personal relationships. But I never run out of inspiration. I have highs and lows, but I never run dry.

R: What keeps you inspired?

T: I don't just watch films. I am a huge reader, museum visitor, people watcher and nature has been quite the inspiration as of lately.

R: What is your advice for someone who is looking to be an artist in NYC?

T: Make sure you want it. I mean, really want it. Because its a lot of work!!!' You got to dedicate yourself completely to your work as an artist and then simply believe! Know everything about your industry. Keep on learning and reaching!

R: You are in a production called Left Unsaid. Can you tell me about that?

T: I met Nelson George at his book signing in Brooklyn of 'City Kid'. While he signed my book, I told him how much I referenced him in grad school in London. We started talking about literature, hip-hop, music, and film in Fort Greene. At that point, we were living across the street from each other.

He talked about doing this web series, and [asked] if I was interested in participating. Since all the characters are vaguely based on real people, and it is an all woman cast, we had quite the fun shooting. I've just moved back to NYC from LA and decided to go full time into acting and it was just such an experience to have shared an entire summer with these completely different women from all over the world.

Nelson grew up with women and has an understanding on how women think and feel. It is funny and dramatic at the same time. Some of the dialogue touches on class and race. There are themes that explore the issue of gentrification in Fort Greene, race relations in different countries, conspiracy theories, racial stereotypes, bi-sexuality etc. There is just so much in just 3 minutes of one episode. It is a unique piece of work and I am so proud to be part of it.

My character is called "Bethlehem", a common Ethiopian name and the name of my little cousin. Bethlehem is like me, of Ethiopian and German descent. She is 21 years old and a blogger/would-be novelist. She is vulnerable and sensitive at the party and has an emotional response to some of the older women at the party. But at the same time, she has the ability to detach herself and see the whole party as an experiment. She is quite the character.

R: Wow. I can’t wait to check it out. Aside from this project, you’ve also got something big brewing: your nonprofit organization. Tell me about your nonprofit, and what steps did you take to build yours?

T: My non-profit has been on the radar for more than a decade. I worked with a dozen of different organizations internationally. It’s only natural that it is time to have my own now. My undergrad at SFSU was international relations (go figure) with an emphasis on non-profit organizations. I am really connected to the Ethiopian Diaspora and go to Ethiopia frequently. My mission is to raise the literacy rate, especially in the rural areas and introduce a reading culture to Ethiopia. My main goal is perhaps to empower through education.

R: We have such parallel ideas!

T: I know! Kindred spirits.

R: Well, it’s only natural that Ladies Lotto brought us together.

Sunday, March 14, 2010

HerStory: Janice Mirikitani




There are few places that are mine,

I claim them:
this ground once vandalized,
this blue silk sky where embroidered cranes kept vigil.
this opened cage of torn barbed wire,
this bowl of sand from Amache Gate.
I keep them like a rock in my shoe
to remind me
to mourn not for lost fathers,
to mend my own body
to wait not for men or marriage vows
...
I claim my place
in this line of generations of women
lean with work
soft as tea
open as the tunnels of the sea
driven as the heels of freedom's feet
taut-fisted with reparations.
...
Generations of yellow women,
gather in me,
to crush the white wall
not with the wearing of sorrow,
Not with bitterness or regret.
We crush the white wall
our voices released

(Excerpt from the poem
Generations of Women by Janice Mirikitani)


A poet, activist, womanist, and community leader, Janice Mirikitani has been an icon for a generation of forward-thinking Asian American women. As a student at San Francisco State College in 1968, she was politicized and galvanized to action in a heady time of social unrest when groups such as the Black Panthers, Brown Berets, and Yellow Power sought self determination for their respective communities and demanded power to the people. It is within this movement that she found her voice, and summoned the courage to cast away the silence and shame that had up until then defined Asian American communities for too long. She spoke truth to power from her personal history as a Japanese American who experienced the injustice of internment during World War II and the aftermath of its effects on her family and community, and as a woman who knew all too well the pain of sexual violence.

In her writings, she dedicates poems to comrade sisters and war veterans, writes in remembrance of relatives lost, claims pride in ancestry, and speaks deftly and defiantly about racism, brutality, and the colonization of the mind. Her poems bear titles such as "We, the Dangerous," "Bitches Don't Wait," and "Sing With Your Body." She is a visionary who speaks in language that refuses victimization and instead chooses strength in the affirmation of self. Her language is electric, elegant, gorgeous– and at turns resilient, severe, defiant–proving that a woman, with the power of her words, can move mountains.


Hand in hand with her writing, Mirikitani's work as a community activist represents true strength, as she defines power by helping those in need improve their lives. For over 40 years, Mirikitani has created and directed programs and social services that empower women and youth within San Francisco's most marginalized communities as the Founding President of the Glide Foundation, and she continues to work for positive change.

For her commitment to social justice, for breaking the silence, for reminding us of how powerful we truly are, she is an inspiration to us all.


Sunday, March 7, 2010

HerStory: Lorena Barros




The role of femininity is often mistakenly defined by words such as passive, demure, submissive. Fortunately for us all, Philippine heroine Lorena Barros single handedly shatters these conventional ideas and redefines femininity in a way that makes the very word synonymous to warrior. Poet, activist, and co-founder of Makibaka, a women's militant organization, Barros is the very epitome of fierce. Active during a period of leftist unrest dubbed notoriously as the First Quarter Storm, Barros led the movement that defined the "New Filipina", serving as an inspiration for all women who know what they stand, live, and fight for.

In the 1970's, when the Philippines was under the rule of the Ferdinand Marcos regime (yes, the husband of the infamous Imelda), Martial Law was imposed to the entire country. Declaring martial law meant shutting down most freedoms of speech, media, and civil liberties, provoking more unrest from a people who has known a presidency and a government wrought with accusations of corruption. Barros, a radicalized intellectual, gathered a fellowship to spark a movement to not only fight for freedom, but to lead a woman's liberation movement that encouraged new roles for Filipinas as warriors, fighters, and adamant defenders of their rights.

“We are suffering from a feudal sense of values in which women are considered adjuncts of the home—for the children, for the kitchen and for the bed…We are not trying to put down these traditional roles, we just want more active involvement from the Filipino women,”- Lorena Barros

Only in her 20's, Barros was well ahead of her time! In addition to being a founder of Makibaka, she also joined the New People's Army to become a guerrilla fighter, further solidifying her role as a warrior in a movement that fought for democracy. On March 24, 1976, government troops raided a hut in Barros' village, where she met her untimely death at the young age of 28. It is believed that she insisted her comrades to hike up to higher grounds for protection while she, the central command, insisted on waiting for another to return.

Her nobility and courage? Female power at it's best, indeed.

Friday, September 4, 2009

Hot, Green & Shameless



Reposted from Treehugger


"Angry feminists usually get the eye roll. But what about angry green girls? Seems like they're getting plenty of attention - or at least this particular spokesperson for green issues. Basically, Angry Green Girl knows how to use her hotness for getting attention, but for a good green cause. From hybrid-only bikini car washes to nearly naked shower tips, check out how Angry Green Girl broadens the eco-issue umbrella through her sarcasm-laden eco-tips. Water issues have never looked quite like this. Scathing sarcasm and sex.

Think it works? The
AngryGreenGirl website is a whole network of women like this - "hot, green and shameless," that is - working to spread the word about green issues...and they're getting thousands upon thousands of page views."

This particular brand of sarcasm is a little over the top as far as I'm concerned, but it's nice to see women putting their obvious charms to good use! Hey, if you've got it, flaunt it!

Thursday, July 16, 2009

Found Dead: Another Female Human Rights Activist

Image courtesy of REUTERS

Natalia Estemirova, a close friend of murdered Russian journalist Anna Politkovskaya, worked for the human rights organization Memorial in the Chechen capital Grozny and documented abuses by law enforcement agencies, colleagues said (Via Yahoo News). She had spent years collecting evidence of human rights abuses against the government in Chechnya. Estemirova was kidnapped by 4 men on Wednesday morning. Today, her body was found.